Difference between revisions of "Spanish Ladies (New England)"
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| − | + | {{ | |
| + | LilyPondTune | ||
| + | | title=Spanish Ladies | ||
| + | | tunetype=song | ||
| + | | subtype=sea chantey | ||
| + | | filename=spanish_ne | ||
| + | | altname=Farewell and Adieu | ||
| + | | altname2=Talcahuano Girls | ||
| + | | altname3=Yankee Whalermen | ||
| + | | mudcat=49621 | ||
| + | | musicbrainz=dc621700-2d56-4995-a9c0-ae78371e16b0 | ||
| + | }} | ||
| + | == Liner Notes == | ||
| + | “[[Spanish Ladies (New England)|Spanish Ladies]]” is track 7 on ''[[Shower Chanteys]]'', recorded 12 March 2018 at [[Mill Pond Music Studio]].<ref>“Spanish Ladies,” recording by Chris Maden. [https://musicbrainz.org/recording/3605db29-38c9-4878-9d58-70cdba22579e MusicBrainz].</ref> | ||
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| + | “Spanish Ladies” is a homeward-bound capstan chantey—used for raising the anchor when returning homeward. Originally, “[[Spanish Ladies (England)|Spanish Ladies]]” was a British naval song, lamenting separation from local wives or girlfriends from Gibraltar at the end of the Napoleonic wars. Hugill notes that few sources give it as a proper chantey (as opposed to just a recreational song).<ref>Stan Hugill. ''Shanties from the Seven Seas'', pp. 292–294. New U.S. Edition. Mystic, Conn.: Mystic Seaport, 1994.</ref> The original was a navigational mnemonic for the trip through the English Channel around to the Thames and London; as the song was coöpted by other groups, including New England whalers, the lyrics changed accordingly. Smith, in 1888, seemed unaware of the New England variation.<ref>Laura Alexandrine Smith. ''The Music of the Waters'', pp. 63–64. London: Kegan Paul, Trench & Co., 1888.</ref> | ||
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| + | The melody changes in some variations; the British version, I’ve never heard except with a minor key; the New England version I’ve heard in both minor and major variations, though the Talcahuano Girls version, a close cousin of the Yankee version, is always minor; the Newfoundland version always seems to be in a major key. | ||
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| + | Some of the British verses survive into this New England version I recorded. Other verses are common to the more generic whaling versions, but the refrain is based entirely in New Bedford whaling. | ||
| + | |||
| + | I was a little uncertain about this recording. I wanted to have the melody doubled an octave apart, but as it has a moderately wide range in the melody alone, that forced me to the bottom or top of my range for the main lead part. There seems to be a general consensus among the people I’ve asked—including [[Jim Prendergast|my recording engineer]]—that it sounds fine down in the basement of my range where it ended up. It’s easy as a singer to hear only the errors and problems… but as I often tell people at chantey sings, there are only two ways to sing sailors’ songs: good, and authentic. I guarantee you, as I guarantee them, that this recording is at least one of those two. | ||
| + | |||
| + | == References == | ||
| + | <references/> | ||
| + | |||
| + | [[Category:Chris’s songs]] | ||
| + | [[Category:Shower Chanteys]] | ||
| + | [[Category:Capstan chanteys]] | ||
Revision as of 17:59, 8 October 2018
“Spanish Ladies” is a sea chantey.
Alternate names
- Farewell and Adieu
- Talcahuano Girls
- Yankee Whalermen
External links
Liner Notes
“Spanish Ladies” is track 7 on Shower Chanteys, recorded 12 March 2018 at Mill Pond Music Studio.[1]
“Spanish Ladies” is a homeward-bound capstan chantey—used for raising the anchor when returning homeward. Originally, “Spanish Ladies” was a British naval song, lamenting separation from local wives or girlfriends from Gibraltar at the end of the Napoleonic wars. Hugill notes that few sources give it as a proper chantey (as opposed to just a recreational song).[2] The original was a navigational mnemonic for the trip through the English Channel around to the Thames and London; as the song was coöpted by other groups, including New England whalers, the lyrics changed accordingly. Smith, in 1888, seemed unaware of the New England variation.[3]
The melody changes in some variations; the British version, I’ve never heard except with a minor key; the New England version I’ve heard in both minor and major variations, though the Talcahuano Girls version, a close cousin of the Yankee version, is always minor; the Newfoundland version always seems to be in a major key.
Some of the British verses survive into this New England version I recorded. Other verses are common to the more generic whaling versions, but the refrain is based entirely in New Bedford whaling.
I was a little uncertain about this recording. I wanted to have the melody doubled an octave apart, but as it has a moderately wide range in the melody alone, that forced me to the bottom or top of my range for the main lead part. There seems to be a general consensus among the people I’ve asked—including my recording engineer—that it sounds fine down in the basement of my range where it ended up. It’s easy as a singer to hear only the errors and problems… but as I often tell people at chantey sings, there are only two ways to sing sailors’ songs: good, and authentic. I guarantee you, as I guarantee them, that this recording is at least one of those two.
References
- ↑ “Spanish Ladies,” recording by Chris Maden. MusicBrainz.
- ↑ Stan Hugill. Shanties from the Seven Seas, pp. 292–294. New U.S. Edition. Mystic, Conn.: Mystic Seaport, 1994.
- ↑ Laura Alexandrine Smith. The Music of the Waters, pp. 63–64. London: Kegan Paul, Trench & Co., 1888.
