Difference between revisions of "South Australia"

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| subtype=sea chantey
 
| subtype=sea chantey
 
| filename=south_australia
 
| filename=south_australia
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| altname=Bound for South Australia
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| altname2=Rolling King
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| altname3=Ruler King
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| wikipedia=South_Australia_(song)
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| digitrad=5494
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| mudcat=48959
 
| musicbrainz=3cd26242-96e0-40ed-8420-5770cefc8d54
 
| musicbrainz=3cd26242-96e0-40ed-8420-5770cefc8d54
 
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“[[South Australia]]” is track 15 on ''[[Shower Chanteys]]'', recorded 15 and 28 August 2018 at [[Mill Pond Music Studio]].<ref>“South Australia,” recording by Chris Maden. [https://musicbrainz.org/recording/1a3679b2-0e06-4ccc-8195-ce9c191a416f MusicBrainz].</ref>
 
“[[South Australia]]” is track 15 on ''[[Shower Chanteys]]'', recorded 15 and 28 August 2018 at [[Mill Pond Music Studio]].<ref>“South Australia,” recording by Chris Maden. [https://musicbrainz.org/recording/1a3679b2-0e06-4ccc-8195-ce9c191a416f MusicBrainz].</ref>
  
More coming soon…
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This may be the most Folk Revival-ist and least traditional song on the album (except maybe the weird version of “[[Highland Laddie]],” but that’s from a primary source).  Read the Mudcat thread linked above, or at least the posts from “Gibb Sahib” ([https://www.pomona.edu/directory/people/gibb-schreffler Dr. Gibb Schreffler of Pomona State College]).  I learned this version at the [https://www.nps.gov/safr/learn/historyculture/chantey-sing.htm San Francisco chantey sing], and understood it to be a pumping chantey (the only kind with “heave away, haul away”), but there’s a very good case to be made that the version everyone sings now has drifted significantly from its roots as a work-song.  The lyrics I do are mostly from Hugill,<ref>Stan Hugill.  ''Shanties from the Seven Seas'', pp. 150–151.  New U.S. Edition.  Mystic, Conn.: Mystic Seaport, 1994.</ref> though see Gibb’s comments about the authenticity of Hugill’s words and assertions.  Colcord’s version is a little older,<ref>Joanna C. Colcord.  ''Songs of American Sailormen'', p. 90.  Enlarged and Revised Edition.  New York: Bramhall House, 1938.</ref> while Smith’s version seems to be the first notated.  Smith’s is clearly the same song, but significantly different.<ref>Laura Alexandrine Smith.  ''The Music of the Waters'', pp. 49–50.  London: Kegan Paul, Trench & Co., 1888.</ref>
  
<!--<ref>Chris Maden.  “T−4: South Australia,” [https://www.kickstarter.com/projects/crism/shower-chanteys/posts/2266271 Kickstarter update.]  17 August 2018.</ref>-->
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As I mentioned elsewhere, one problem with doing all the vocals myself is that if I want to double a line, an octave apart, then I have to pitch the lead a little high or a little low.  On this track, I went for a little low… and it didn’t quite work.<ref>Chris Maden.  “T−4: South Australia,” [https://www.kickstarter.com/projects/crism/shower-chanteys/posts/2266271 Kickstarter update.]  17 August 2018.</ref> So I re-recorded the lead a couple of weeks later, and it came out a bit better.<ref>Chris Maden.  “Labor Day flashback,” [https://www.kickstarter.com/projects/crism/shower-chanteys/posts/2279392 Kickstarter update.]  3 September 2018.</ref>
<!--<ref>Chris Maden.  “Labor Day flashback,” [https://www.kickstarter.com/projects/crism/shower-chanteys/posts/2279392 Kickstarter update.]  3 September 2018.</ref>-->
 
  
 
== References ==
 
== References ==
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[[Category:Chris’s songs]]
 
[[Category:Chris’s songs]]
 
[[Category:Shower Chanteys]]
 
[[Category:Shower Chanteys]]
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[[Category:Capstan chanteys]]
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[[Category:Pumping chanteys]]

Latest revision as of 18:28, 16 November 2018

“South Australia” is a sea chantey.

Alternate names

  • Bound for South Australia
  • Rolling King
  • Ruler King

External links


Liner Notes

South Australia” is track 15 on Shower Chanteys, recorded 15 and 28 August 2018 at Mill Pond Music Studio.[1]

This may be the most Folk Revival-ist and least traditional song on the album (except maybe the weird version of “Highland Laddie,” but that’s from a primary source). Read the Mudcat thread linked above, or at least the posts from “Gibb Sahib” (Dr. Gibb Schreffler of Pomona State College). I learned this version at the San Francisco chantey sing, and understood it to be a pumping chantey (the only kind with “heave away, haul away”), but there’s a very good case to be made that the version everyone sings now has drifted significantly from its roots as a work-song. The lyrics I do are mostly from Hugill,[2] though see Gibb’s comments about the authenticity of Hugill’s words and assertions. Colcord’s version is a little older,[3] while Smith’s version seems to be the first notated. Smith’s is clearly the same song, but significantly different.[4]

As I mentioned elsewhere, one problem with doing all the vocals myself is that if I want to double a line, an octave apart, then I have to pitch the lead a little high or a little low. On this track, I went for a little low… and it didn’t quite work.[5] So I re-recorded the lead a couple of weeks later, and it came out a bit better.[6]

References

  1. “South Australia,” recording by Chris Maden. MusicBrainz.
  2. Stan Hugill. Shanties from the Seven Seas, pp. 150–151. New U.S. Edition. Mystic, Conn.: Mystic Seaport, 1994.
  3. Joanna C. Colcord. Songs of American Sailormen, p. 90. Enlarged and Revised Edition. New York: Bramhall House, 1938.
  4. Laura Alexandrine Smith. The Music of the Waters, pp. 49–50. London: Kegan Paul, Trench & Co., 1888.
  5. Chris Maden. “T−4: South Australia,” Kickstarter update. 17 August 2018.
  6. Chris Maden. “Labor Day flashback,” Kickstarter update. 3 September 2018.